| 2026 |
Journal article |
BLONSKI, T., P. POINSIGNON, “From Art as Financial Investment to Artists as Organizational Partners: A Broader Understanding of Collaborations Between Artists and Companies”, International Journal of Arts Management, Fall 2026, vol. 29, no. 1 |
| 2026 |
Journal article |
VUARIN, L., T. BLONSKI, “Collaboration of Artists and AI: Mastering and Organizing Symbiotic Alterity”, Academy of Management Discoveries, February 2026 |
| 2025 |
Journal article |
BLONSKI, T., T. PARIS, P. POINSIGNON, “Emergence and Organization of a creative Place in the middleground: acceleration, collateral effect and critical mass”, Research in the Sociology of Organizations, April 2025, vol. 91, pp. 69-90 |
| 2025 |
Journal article |
BLONSKI, T., P. POINSIGNON, T. PARIS, “De l’atelier au marché de l’art : les ressorts du succès de POUSH, un jeune lieu créatif”, The conversation, June 2025 |
| 2025 |
Journal article |
BLONSKI, T., G. GALINDO, “Le management de la diversité confronté aux populations invisibles, mais pas indifférentes. Le cas des catholiques pratiquants en France”, Revue Française de Gestion, October 2025, vol. 5, no. 324, pp. 83-103 |
| 2025 |
Journal article |
BLONSKI, T., G. GALINDO, “Ce que le cas des catholiques français révèle du management de la diversité au travail”, The conversation, December 2025 |
| 2025 |
Book Chapter |
BLONSKI, T., L. VUARIN, “Artists in the Age of AI. A Typology of Human-Machine Collaborations and Associated Imaginaries.” in Artificial Intelligence in the Cultural and Creative Sectors. Opportunities, Challenges, and Transformations., Marta Massi, Marek Prokupek, Alessandra Ricci, Maria Carmela Ostillio Eds, Routledge, chap. 3, 2025 |
| 2025 |
Published cases with instructional materials |
BLONSKI, T. – “Logotel : La webapp à la croisée des chemins” – 2025, Centrale des Cas et des Médias Pédagogiques (CCMP), Paris, France |
| 2024 |
Journal article |
BLONSKI, T., “Beyond Aesthetics: Contemporary Art as an Answer to Critics Towards Arts-Based Methods in Organizations”, Journal of Arts Management, Law and Society, May 2024, pp. 1-16 |
| 2024 |
Journal article |
BLONSKI, T., “Comment se servir de l’art pour former au management ?”, The conversation, May 2024 |
| 2024 |
Book Chapter |
BLONSKI, T., “Art as Orchestrated Serendipity. Leaving Behind Outcome Prediction in Arts-Based Methods to Foster Sustainability in Organizations” in Art and Sustainability Transitions in Business and Society., Hanna Lehtimäki, Steven S. Taylor, Mariana Galvao Lyra Eds, Palgrave Macmillan, pp. 109-127, 2024 |
| 2024 |
Communications in an Academical or Professional conference |
BLONSKI, T., P. POINSIGNON, S. REBOUD, “Artistic Interventions in Organizations: the role of intermediaries as translators” in AIMAC, 2024, Lisbon, Portugal |
| 2024 |
Communications in an Academical or Professional conference |
BLONSKI, T., L. VUARIN, Q. MADRELLE, “How the legacy of digital biography affects management of algorithmic moderation: Lessons from algorithmic cabotage at Facebook (2004–2021)” in EGOS, 2024, Milan, Italy, France |
| 2024 |
Published cases with instructional materials |
BLONSKI, T. – “Lena Situations : Toujours plus dans le marché de l’influence” – 2024, Centrale des Cas et des Médias Pédagogiques (CCMP), Paris, France |
| 2023 |
Communications in an Academical or Professional conference |
BLONSKI, T., T. PARIS, P. POINSIGNON, “The dynamics of aggregation in creative territories, vetween tangible and perceived factors. The case of the evolution of the Parisian art market” in EGOS (European Group for Organizational Studies), 39th colloquium, 2023, Cagliari, Italy |
| 2021 |
Book Chapter |
BLONSKI, T., S. BUREAU, “Détourner pour mieux explorer ? Des avant-gardes artistes à la critique du management par l’Art Thinking” in L’entrepreneuriat dans les secteurs de l’art et de la culture., Isabelle Horvath & Gaëlle Dechamp Ed., EMS Editions, pp. 104-117, 2021 |
| 2021 |
Communications in an Academical or Professional conference |
BLONSKI, T., “Thirst for emotions? Understanding social expectations behind the legitimation of artistic interventions in organisations” in EGOS conference, 2021, Amsterdam, Netherlands (The) |
| 2020 |
Communications in an Academical or Professional conference |
BLONSKI, T., “Contemporary art: an efficient frame for art-based management?” in EURAM Conference, 2020, Dublin, Ireland |
| 2019 |
Communications in an Academical or Professional conference |
BLONSKI, T., J.-P. BOUILLOUD, “The convergence of contemporary art and management: towards a new configuration?” in AIMAC Conference, 2019, Venezia |
| 2019 |
Communications in an Academical or Professional conference |
BLONSKI, T., J.-P. BOUILLOUD, “New faces of artification. L’art pour l’art or artwashing? Two case studies” in EURAM conference, 2019, Lisboa, Portugal |
| 2019 |
Communications in an Academical or Professional conference |
BLONSKI, T., “Contemporary art and management: divergent representations for a potential symbiosis?” in Dysfunction Day, 2019, Nancy, France |
